When was biddeford maine founded

He worked rapidly and easily in all media and with any subject matter. Humor and satire were his special forte. His quick portrait studies and incisive caricatures were prized by many prominent sitters.

His illustrations appeared with regularity for a period of over thirty years in such magazines as Judge, Life and Saint Nicholas. Flagg was also a respected painter of serious portraits whose work was shown at the Paris salon of , the National Academy of Design and the New York Water Color Club. Using himself as a model, Flagg created a new image for this national symbol, changing him from a gangling, humorous, star-spangled figure into a forceful, rather handsome, dignified man with only four stars on his hat.

His summer house at Biddeford Pool provided Flagg with an annual escape from the hurly-burly of his New York life, yet his irrepressible social energy kept it filled with guests and constant entertainment. A golf course above and Biddeford Pool below, confirm the earlier description of the beautiful setting.

Beard photos, ]. The rectory, convent and church were built starting in These three the rectory, convent and church are crucial to the historic district.

Stylistically the church is Romanesque, the rectory is Second Empire-style and the convent and former school were built in the Colonial Revival Style. The complex is also important in the area of Architecture as a collection of well-designed early 20th century buildings that collectively form a noteworthy example of a Roman Catholic parish complex.

The Stage Island Monument is a Federal aid to navigation built in as a day beacon serving as a visual landmark for mariners. It marks the northern entry to Wood Island Harbor, a sheltered anchorage approximately midway between Portland and Portsmouth, New Hampshire. The Stage Monument is one of two 19th century monumental day beacons in Maine.

It exemplifies the Federal governments long-term program to enhance nautical safety in U. The Stage Island Monument is a well-preserved example of design and engineering methods used in building early 19th century masonry towers. It is largely unchanged from and is at its original location.

This property has been a significant feature in southeastern Maines maritime landscape and is widely recognized as a York County historic landmark. It is one of the principal monuments of the French-Canadian immigration to the state, and to the City of Biddeford. In the post-Civil War era Biddeford, whose mills required labor to operate hundreds of spindles and looms.

The shortage of local workers available from farms and outlying villages made it an attractive destination for immigrants. The city became the principal concentration point for French Canadians emigrating to the state. The town retained the largest Franco population in the state until surpassed by Lewiston in In , While sizable migrations from Quebec took place in the s and s to fill jobs in the newly built textile mills, the great migration began at the time of the Civil War.

The Franch, having initially worshipped with the Irish in St. Three years later they began building St. Of equal importance was the institution of a Catholic School with which to preserve the language, culture and faith of the French-Canadian community.

Classes were begun in in the basement of the newly-erected St. In , teaching was taken over by six nuns of the Good Shepherd Sisters of Quebec, who emigrated specifically for that purpose. In March , plans for a new school building were drawn.

Classes moved into the new St. Healey on September 7, Bishop Healey was the first black American Roman Catholic Bishop and actively supported French-Canadian efforts to preserve their culture and language. Louis High School was built across the school yard in The building remains a monument to the industry of Franco American immigrants and the tenacity of their cultural ethnicity. In it served as residential apartments at 41 Birch Street.

Later deeds carry the ownership to with William Dicer, father-in-law of Richard Tarr. A lapse in records occurs, coinciding with the depopulation of the area during the early French and Indian wars. The next deed is that from Richard Tarr to John Tarr in , from which point the chain of title extends to the present. Evidence, indicates that this house was built by John Tarr shortly after his acquisition of the property, since it is mentioned in the next deed, dated Although alterations and additions have taken place, the most significant feature, a very rare panel and stile fully wainscotted wall and ceiling room remains.

Preliminary research indicates few other examples. The panel and stile system and random width boards suggest an early date for the house. Beard photo]. Charles Ewing approached the design with with an eye of a practicing artist with an appreciation of European and American traditions.

At Timber Point, Charles Ewing established an estate in the style of those established during the late19th and early 20th centuries. Timber Point retains much of its architectural design and remains relatively unaltered from the time of construction. There are two non-historic structures: a seawall and the foundation footings of an Alfred Shaker village barn moved to the property from Alfred in and more recently relocated off the estate.

The main house, garage, and laundry clearly represent the work of a master and the contributing structures help to illustrate the range of outbuildings that comprise an unusually good example of a period summer estate. Post Office building was the prototype quality federal buildings erected during the early part of the 20th Century.

The building is a classic example of the period. The design and structure served as blueprint for post offices built during the s and s. The property was completely designed and built from plans prepared by the Supervising Architect of the U. Treasury Department. During the planning period from through the construction, James Knox Taylor and other architects served the supervising architects.

The modest 80 foot by 65 foot building encloses a floor area of approximately five thousand three hundred square feet. A loading dock, containing four hundred fifty square feet of floor space, replaced the original rear entrance in The building was vacant in , and in contained commercial offices.

Mundy photo]. Of the two, it is the only one that retains the original tower. Wood Island light was erected on a small shallow island located at the mouth of the Saco River. This location saw heavy maritime traffic in and around the commercial centers of Saco and Biddeford.

Both communities had developed into important local trading centers during the 18th century, and their growth continued into the s. Until the construction of Whaleback light in , the station at Wood Island was the southernmost of the principal aids to navigation in Maine.

West Quoddy Head is the easternmost light. Reed photos, Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. With such fertility and abundance, it is no wonder that humans have lived and flourished here for as long as man has walked these lands--about 12, years ago.

This is a breadcrumb navigation to take you back to previous pages. Headwaters of a community: Sowacatuck, Chouacoet, and the sea II. An undercurrent of danger: Colonial Biddeford IV. Engulfed by nationalism: Revolutionary Biddeford V.

Fernando Gorges. He and John Oldham returned in , settling on the side of the Read MORE For a description of the Joseph Sweetsir, of Biddeford, Me. In furtherance of Biddeford, Me. Postcard St. Prev Next Pause Resume Stop.