Where is raphaels school of athens located

These characters are great classical philosophers, scientists, and mathematicians from classical antiquity painted sharing their ideas and learning from each other. Plato can be seen pointing upwards suggesting his cosmological theories, depicting the divide in their philosophies-another theme of the work. Whereas, Aristotle is suggesting the basis of his practical ethics by gesturing towards the floor.

However, the main personalities other than Plato and Socrates find their portrayal in this magnificent piece of art. Being the official residence of the Pope of the Catholic Church and a center of the religious and administrative functions of the Vatican City, the Vatican Palace is sometimes misapprehended to be impossible to visit by many people. Numerous tours keep going ahead every day where the visitors can enjoy the magnificent rooms elaborated by the guides.

Raphael has used linear perspective with a central vanishing point in the School of Athens painting that marks the high point of classical Renaissance. Some people think that Jackson Pollock created great art. Save my name, email, and website in this browser for the next time I comment. Get to know the painter — Italian Renaissance artist Raphael. Plato and Aristotle in the School of Athens.

Other Characters in the School. On the left of the School Of Athens painting, Socrates is represented with a brown tunic. The two philosophers and their gesturing make a point which is the core of the philosophy of Marsilio Ficino: Aristotle's gesture symbolizes the positive spirit; the vertical gesture of Plato alludes to a superior quality, the contemplation of ideas.

On the left, cloaked in an olive mantle, is Socrates, arguing in a group that includes Chrysippus, Xenophon, Aeschines and Alcibiades. Facing the venerable Venetian scientist Zeno, is Epicurus, crowned with grape leaves, presumably defending the principle of hedonism. Attentively followed by his pupils including the turbanned Averroes Pythagoras teaches the diatesseron from a book. In strong contrast in front of him is Xenocrates others say Parmenides.

In the foreground, head resting on his arm, the mournful Heracleitus with the features of Michelangelo. The absence of this figure in the original cartoon now in Milan's Ambrosian Library and its obvious Michelangelo style it is modelled on the Sybils and Ignudi of the Sistine ceiling , leads us to believe that Raphael added this figure in when, after completing the room, he saw the first half of the Sistine Chapel Ceiling frescoes.

In tribute to his great rival, Raphael portrayed Michelangelo in the guise of the philosopher from Ephesus. The child at the side of Epicurus, clearly indifferent to the speculations of the thinkers, seems to be Federico Gonzaga , later Federico II of Mantua of the famous Gonzaga family of Renaissance patrons and collectors. Further to the right, calmly reclining on the stairs, is Diogenes, the oject of the remonstrations by the disciples of the Academy.

In the foreground, to the right of Aristotle, Raphael placed the High Renaissance architect Donato Bramante in the person of Euclid, who is pictured bending over a table and demonstrating a theorem with the aid of a compass. Bramante, the architectural adviser to Julius II, and a distant relative of Raphael's from Urbino, was responsible for Raphael's summons to Rome, and the younger man reciprocates by signing his name in the gold border of Bramante's tunic.

Over to the right, identified by the crown he wears, is the geographer Ptolemy, holding the globe of the earth. His hand is open palm facing down to the earth to emphasize the importance of studying physical evidence as to the source of knowledge. The fresco itself includes 21 distinct figures set against a backdrop of a school. The mural has images of statues.

One statue is of Apollo, the Greek god of light and music, holding a lyre. The other statue is of Athena, the Greek goddess of wisdom, shown in her Roman form as Minerva. Below are some of the central historical figures numbered together with a legend for identification.

Identification is not precise for many of the figures, and even the ones in the legend below are uncertain. Determining the identification is difficult because Raphael made no descriptions and left no documents to explain the painting. While Plato and Aristotle serve as the central figures, the other philosophers depicted lived at different times and were not contemporaries.

Many of them lived before Plato and Aristotle, and only a third were Athenian Greeks. And on the right-hand corner looking out straight at us is a figure that is the self-portrait of Raphael as shown below. The School of Athens is one of a series of four frescoes painted by Raphael representing different branches of knowledge.